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Bauer is now replacing a large proportion of its traffic bulletins on Greatest Hits Radio and Hits Radio with updates generated and read by AI. The group worked with INRIX, its long-standing partner for traffic data, to switch to an automated system.
The majority of traffic reports are no longer recorded by humans. The bulletins are produced automatically from INRIX data, assembled using their intelligence and automation systems, and then ‘voiced’ by an AI voice modelled on the tone of in-house journalists. Bauer promises faster, more regular and consistent news. At INRIX, the need for human operators is reduced because the entire workflow is based on data and automation.
What does it look like?
The group says it wants to deliver information that is more accurate, more responsive and better aligned with IP usage. They are opening the door to use cases that are still impossible on FM, with dynamic bulletins updated in near-real time, formats differentiated according to the listener’s location, and a mix of local news without having to rely on heavy geographical coverage.
INRIX calls this a “natural evolution” of its service. Their AI system works on the same datasets as journalists, but generates bulletins faster and more consistently.
The movement is not limited to Bauer. The UK ecosystem is already exploring several AI building blocks: more and more stations are testing synthetic voices or content produced by AI to reduce costs and increase local granularity, and audio.co (formerly RadioNewsAI), acquired by Aiir, offers automated bulletins (traffic, weather, news, commercial voice). Traffic is an obvious use case. Radio can go even further: hyper-local weather, real-time service messages, zone-based alerting… or even personalised audio streams based on the listener’s location.
The BBC has announced another record year for its BBC Sounds platform. Between January and November 2025, the audio platform exceeded 2.5 billion listens, an increase of +8% compared to the same period in 2024. A total of 2.8 billion audio plays were recorded across the BBC ecosystem, including radio, podcasts, sport, news and rich…
While streaming platforms are running out of ways to create real music moments — especially this summer — college radio in the U.S. is quietly making a comeback. That’s the story Manon Mariani explored in Zoom Zoom Zen on France Inter. The journalist is referencing Emily White’s deep dive in her newsletter White Noise: “Gen…
To celebrate the release of her new album The Life of a Showgirl, Taylor Swift partnered with six major UK radio stations — BBC Radio 1 and 2, Heart, Capital, Hits Radio and Magic FM — each airing an exclusive interview with the superstar, some even at the very same moment. A flawlessly timed campaign…
From stage performances to backstage, red carpet moments to reactions in the dressing room: the 26ᵉ edition of the NRJ Music Awards (31 October 2025) has been filling up with views on social networks. Between emotions, looks and viral sequences, here are the videos that got the most views. These are the figures gathered from…
In the latest Social Radio newsletter , which analyses the best-performing content from 32 European radio stations, RTL and France Inter broke records for the most views with content that’s very simple to create: clipping their interviews. I explain why you absolutely must do this to maximise the visibility of your station and show off…
Social media has become radio’s biggest amplifier — the way to reach listeners far beyond the airwaves.But it shouldn’t be treated like a simple editorial extension.Think of it instead as your brand’s permanent billboard, visible every day, everywhere. 1. Social Media: a Showcase, Not a Gateway Here’s the truth: posts on TikTok, Instagram or YouTube…