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Every week, I curate the viral videos overperforming across 40+ European radio stations. Join for free!
Every week, I curate the viral videos overperforming across 40+ European radio stations. Join for free!
Social media has become radio’s biggest amplifier — the way to reach listeners far beyond the airwaves.
But it shouldn’t be treated like a simple editorial extension.
Think of it instead as your brand’s permanent billboard, visible every day, everywhere.
Here’s the truth: posts on TikTok, Instagram or YouTube rarely drive direct traffic to your website or app. According to Parse.ly, social referral traffic has dropped from around 12% to just 7%.
In other words — no single video will suddenly blow up your web stats.
What really counts is your brand presence.
👉 If traffic is your goal, paid campaigns are essential. And yes — we can help you create content that works across both editorial and paid formats.
But even then, boosting a video isn’t enough.
Your content must be designed for the platform — vertical formats, strong hooks, fast intros — and the path after the click has to be flawless.
Every tap should take users straight to your app, site or player.
If you’re running talk shows or podcasts, go all in on highlights.
They’re your best asset: authentic, human, emotional.
They showcase the voice, the chemistry, the moment. RTL, for instance, recently hit 300 million views in a single month, almost entirely from on-air content.
Imagine how many billboards you’d need to get 300 million impressions.
Every powerful on-air moment can become social content:
These formats create connection, give a sense of what your station stands for, and build brand preference.
They often drive more replay listening than live tune-in — but both strengthen audience loyalty.
Music stations can’t rely only on on-air clips — there just aren’t enough of them to tell your story.
The goal is to build a complete editorial mix that reflects your musical identity:
Your aim: become the go-to reference for your genre,
so that in a single glance, people instantly get what your station sounds like.
If you’re not running paid campaigns, you won’t drive much traffic to your app or site.
Instead, every post should make people want to listen — to trigger that radio reflex.
That means:
But remember — this isn’t conversion marketing.
It’s brand communication.
Social media can strengthen your radio’s value, visibility and brand appeal — but only if you use its native codes, not old-school institutional ones.
The goal isn’t to post more, it’s to post smarter. Make every piece of content count, reach the widest audience possible — and that’s exactly what we’re here to help you do.
I guarantee: once you’ve watched one sequence of this game, you’ll want to watch them all! Hit The Spot is a radio game played by the team from The Edge morning show. The principle is simple: Dan has to sing a song with the sound off, and then fall back to the right moment when…
TikTok and iHeartMedia have just announced a major multi-platform partnership. Together, the two companies will launch a complete ecosystem combining filmed podcasts, radio, video studios and live events. The agreement marks a strategic turning point: TikTok creators will become voices and storytellers at events, on radio and in podcasts. The “TikTok Podcast Network”: 25 new…
Spanish radio station Cadena 100 has hit the jackpot! In the Social Radio newsletter, which each week analyses the best-performing content on more than 40 European radio stations, Spanish radio station Cadena 100 is appearing more and more with a fairly classic radio format where they ask children questions and listen to the answers. From…
In the latest Social Radio newsletter , which analyses the best-performing content from 32 European radio stations, RTL and France Inter broke records for the most views with content that’s very simple to create: clipping their interviews. I explain why you absolutely must do this to maximise the visibility of your station and show off…
Long perceived as the soft-spoken voice of the British establishment, BBC Radio 4 has been quietly but deliberately shifting its strategy over the past few years. Across Instagram, Facebook, X (formerly Twitter) and, more recently, TikTok, the station is now multiplying short formats, humorous clips and debate extracts to reach a younger, more mobile audience. Within the…
The Global Group has just launched a wonderful project: WSQK The Squawk, a short-lived radio station inspired by Stranger Things, is now available on London DAB, Global Player and connected speakers. The station will remain online until 1 January, in line with the release of the three parts of the final season of the show….