Learn from the best!
Every week, I curate the viral videos overperforming across 40+ European radio stations. Join for free!
Every week, I curate the viral videos overperforming across 40+ European radio stations. Join for free!
Bauer is now replacing a large proportion of its traffic bulletins on Greatest Hits Radio and Hits Radio with updates generated and read by AI. The group worked with INRIX, its long-standing partner for traffic data, to switch to an automated system.
The majority of traffic reports are no longer recorded by humans. The bulletins are produced automatically from INRIX data, assembled using their intelligence and automation systems, and then ‘voiced’ by an AI voice modelled on the tone of in-house journalists. Bauer promises faster, more regular and consistent news. At INRIX, the need for human operators is reduced because the entire workflow is based on data and automation.
What does it look like?
The group says it wants to deliver information that is more accurate, more responsive and better aligned with IP usage. They are opening the door to use cases that are still impossible on FM, with dynamic bulletins updated in near-real time, formats differentiated according to the listener’s location, and a mix of local news without having to rely on heavy geographical coverage.
INRIX calls this a “natural evolution” of its service. Their AI system works on the same datasets as journalists, but generates bulletins faster and more consistently.
The movement is not limited to Bauer. The UK ecosystem is already exploring several AI building blocks: more and more stations are testing synthetic voices or content produced by AI to reduce costs and increase local granularity, and audio.co (formerly RadioNewsAI), acquired by Aiir, offers automated bulletins (traffic, weather, news, commercial voice). Traffic is an obvious use case. Radio can go even further: hyper-local weather, real-time service messages, zone-based alerting… or even personalised audio streams based on the listener’s location.
The BBC has officially opened its annual development funds for independent production companies across the UK. Three schemes are available this year, with a total investment pot of £1.25 million. Three opportunities for independent producers Companies can apply to one of the following programmes: Each scheme includes a strategic investment, a dedicated mentor from within…
Jarvis Cocker, frontman of Pulp, is about to lull listeners to sleep with a special episode of The Sleeping Forecast, a wordplay on the BBC’s iconic Shipping Forecast. The programme will air on BBC Radio 6 Music on 26 October and is already available on BBC Sounds. A poetic twist on the legendary marine weather…
2 nights of concerts in London, 20 artists, almost 70 extracts broadcast in short versions and almost 80 long videos on YouTube. Capital made a maximum of content in a minimum of time during its annual concert. What is the Jingle Bell Ball? The Jingle Bell Ball is Capital Radio’s big annual concert, held every…
Social media has become radio’s biggest amplifier — the way to reach listeners far beyond the airwaves.But it shouldn’t be treated like a simple editorial extension.Think of it instead as your brand’s permanent billboard, visible every day, everywhere. 1. Social Media: a Showcase, Not a Gateway Here’s the truth: posts on TikTok, Instagram or YouTube…
TikTok and iHeartMedia have just announced a major multi-platform partnership. Together, the two companies will launch a complete ecosystem combining filmed podcasts, radio, video studios and live events. The agreement marks a strategic turning point: TikTok creators will become voices and storytellers at events, on radio and in podcasts. The “TikTok Podcast Network”: 25 new…
BBC Radio 2 crushed the competition during the week of 9 to 15 November on social networks, and what’s more, it’s all for a good cause. It’s all down to one name and one number: Sara Cox, the station’s presenter, and £10 million raised for the BBC Children in Need charity event. To raise the…